Oh, Tucker Max: he gave sleazy Encyclopedia Brotanica-eque website AskMen.com an interview. Given the chance to speak freely, he starts his egomanical blame game all over again. This time, blame: Middle America, The Man, His Artistry, and His Producers. Awesome!

Yeah. He went there.

He starts opining about how he wishes he had a different strategy—like to start in one city, as Paranormal Activity did—thus ironically echoing the same ethos of The Man Running Hollywood that he later rallies against: find the thing that just performed really, really well, and try to capitalize on its success. Which, whoops, too late.

See, but Max doesn’t think he’s The Man. He thinks he’s The Artist. He’s one of The People Who Create. And the people who fucked up his movie chance to become the next E.T. are not. No, really:

Look, here’s what people who don’t create don’t understand, is that once you take money from the machine, the machine owns you. And I was just never ever going to let that happen.

Kinda wish I were an artist, so my art could be ‘relevant,’ bro. He goes on: he doesn’t hate on Big Movies because he’s an Indie Movie Guy, because, you know, Transformers would make a stupid indie movie, right? So he’s an indie guy. And there’s no way he could’ve sold this movie out to be funny, no way. He just didn’t let it go down like this, man. He would’ve had to stab someone if they put Seth Rogen in his movie. Not happening, no way.

This movie, if we had sold it to [FOX] Searchlight, they would’ve put Seth Rogen and Dane Cook in it, and they would’ve cut all the f*cking balls out of the jokes, and they would’ve brought in some sh*t bird to rewrite the script who would’ve had Tucker have a girlfriend and this and that, and then it’s like they own everything, they may have fired me I would’ve stabbed somebody if they had done that. They would’ve fired me off the movie because they own it — I don’t own sh*t anymore, but then I’m the one who has to live with all their creative decisions.

Creative decisions! Like where to put the balls in the movie. Spielberg had the same problem with the girl in the red coat in Schindler’s List, which he originally wanted to call Nazis Are Fucked Up, Yo. When you make a Big Studio Movie, you only get so much creative control over the ball jokes, you know? Max goes on to cite another problem as the opening of the film in small cities liek Carbondale, Illinois, a memory that provokes him to rage: “They just don’t know the f*cking movies!” But he saves the best for the people of Darko Entertainment, Donnie Darko director Richard Kelly’s production company, who produced the movie.

Now, come on. Donnie Darko’s a great movie and say what you will of Southland Tales, but at least there’s more to say about it besides “it sucks,” something many movies (like Tucker’s) can’t move past. Why, Richard Kelly, did you let this guy into your house?

Well, hopefully, lesson learned. Especially after this bullshit:

Darko [Entertainment] gave us all the creative freedom we could’ve ever wanted with the budget we had, but once the movie was done, they made a lot of decisions distribution-wise that I would not have made. A lot of things.

How about: your movie is poop, the original product is started out as was poop, you are poop, and if anybody ever lets you work in Hollywood again, they, too, are poop? Nope. Because Tucker’s got dreams, man. Big ones:

Another book, Assholes Finish First is coming out next year and then English release [of the film] is New Year’s — UK release. Those are the next two big things.

1. Because the British don’t think we’re doltish enough.2. Because, lesson learned, Assholes Definitely Finish First. In the race to the bargain bin. Which is where all Tucker Max material will continue to land.

Meta. Bro.

Via gawker.com